求翻译：谭恩美精心构制的这四个故事正好代表了传统中国妇女最为常见的四种婚姻形态：寡妇、作妾、童养媳或者被玩弄（被始乱终弃），无数的中国妇女正是在这样的情形之中一代又一代地生活过来的。《喜福会》中的母亲吴素云，龚琳达，顾映映，许安梅除了拥有“女儿”、“妻子”、“母亲”和“婆婆”等称谓之外，并没有作为一个独立的个体所应该享有的各种权利。她们在觉醒之前，扮演的都是受到男权文化压迫、忍辱负重、富有自我牺牲精神的角色。是什么意思？

Amy Tan carefully structure the system of these four stories just represent a form of the most common of the four traditional Chinese women marriage: widow, concubine, a child bride or playing (discarding), countless Chinese women is in such circumstances among generation after generation to live ov

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Tan Enmei constructed the system these four stories happen to represent the tradition Chinese woman most common four kind of marriage shape carefully: The widow, is the concubine, the girl raised from childhood to be wife of son of family

Amy Tan careful reconstruction of the four stories representing four types of marriage forms of traditional Chinese women are the most common: widows, the concubine, bride or were played (forsake after having dallied with), countless women in China is to live in such situations from generation to ge