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  • 匿名
关注:1 2013-05-23 12:21

求翻译:该时期崇尚设计要从“主观的表达方式”变成用“客观、有建设性的方法”用文字来呈现。作为一款改进19世纪早期无衬线字体的方案,设计初始就有自己的定位:中立、清晰、不带任何色彩和偏好。部分原因是瑞士有四种官方语言,因此清晰、中立的字体表达变得尤为重要;另一原因则是,受现代主义的“机器时代之作”字体的直接影响,大量优秀的瑞士非衬线体出现并广泛流行。是什么意思?

待解决 悬赏分:1 - 离问题结束还有
该时期崇尚设计要从“主观的表达方式”变成用“客观、有建设性的方法”用文字来呈现。作为一款改进19世纪早期无衬线字体的方案,设计初始就有自己的定位:中立、清晰、不带任何色彩和偏好。部分原因是瑞士有四种官方语言,因此清晰、中立的字体表达变得尤为重要;另一原因则是,受现代主义的“机器时代之作”字体的直接影响,大量优秀的瑞士非衬线体出现并广泛流行。
问题补充:

  • 匿名
2013-05-23 12:21:38
Advocate of the period of design from the subjective expression "into the" objective and constructive approach "to render the text. As an improvement program of the early 19th century sans serif, the initial design has its own orientation: neutral, clear, without any color and preferences. Partly be
  • 匿名
2013-05-23 12:23:18
Advocating a design to the period from the subjective means of expression" into "an objective, constructive way with the words " To showed. As an early part of the 19th century improved sans-serif font, and the program will design the initial position of their own: neutral, clear, with no color, and
  • 匿名
2013-05-23 12:24:58
This time advocation design must turn from “the su
  • 匿名
2013-05-23 12:26:38
Respecting the design from that period "expressions of subjective" becomes "objective and constructive approach" to render text. As an improved programme of early 19th century sans-serif font, designed the original has its own position: neutral, clear, color and without any preference. Partly becaus
  • 匿名
2013-05-23 12:28:18
 
 
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