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  • 匿名
关注:1 2013-05-23 12:21

求翻译:不论是什么朝代的都不厌其烦地描龙绣凤,着眼于服装的开襟、衣领、袖边等细节部位的装饰,或在服装的长短宽窄之间做细小变化,但是很少从式样造型结构方面去考虑它的改革和创新是什么意思?

待解决 悬赏分:1 - 离问题结束还有
不论是什么朝代的都不厌其烦地描龙绣凤,着眼于服装的开襟、衣领、袖边等细节部位的装饰,或在服装的长短宽窄之间做细小变化,但是很少从式样造型结构方面去考虑它的改革和创新
问题补充:

  • 匿名
2013-05-23 12:21:38
Regardless of what dynasties have taken the trouble to describe the dragon embroidered phoenix, focus on the details of the parts of clothing cardigan, collar, sleeve edge decoration, or make small changes in the length of the width between the clothing, but rarely from the pattern shape of the stru
  • 匿名
2013-05-23 12:23:18
No matter what it is all of the dynasties, embroidery trouble to trace Feng, and focus on the ends of the dress shirt collar, cuff, while the decoration details such as location, or in the garment of the length between xylem minor changes, but this is rarely the STYLE STYLE structure to consider it
  • 匿名
2013-05-23 12:24:58
No matter is any dynasty all tirelessly traces Long Xiufeng, focuses operates nearby the lapel, the collar, the sleeve in the clothing and so on the detail spot decorations, or makes the tiny change between the clothing length width, but very much is short from the model modelling structure aspect c
  • 匿名
2013-05-23 12:26:38
Regardless of what dynasties are trouble to do fine needlework, clothing-oriented Opening, placket, open front, Cardigan front, collar, sleeves and other detail parts of the decoration, in clothing or small change between short and long and narrow, but very few from fashion modelling aspects to take
  • 匿名
2013-05-23 12:28:18
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