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  • 匿名
关注:1 2013-05-23 12:21

求翻译:加西亚·马尔克斯知道魔幻现实主义必须以现实为基础,但这并不妨碍它采取极端夸张的手法。如本书写外部文明对马贡多的侵入,是现实的,但又魔幻化了:写夜的寂静,人们居然能听到“蚂蚁在月光下的哄闹声、蛀虫啃食时的巨响以及野草生长时持续而清晰的尖叫声”;作家似乎在不断地变换着视角,让读者看到一幅虚实交错的画面,从而丰富了想象力,收到强烈的艺术效果。是什么意思?

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加西亚·马尔克斯知道魔幻现实主义必须以现实为基础,但这并不妨碍它采取极端夸张的手法。如本书写外部文明对马贡多的侵入,是现实的,但又魔幻化了:写夜的寂静,人们居然能听到“蚂蚁在月光下的哄闹声、蛀虫啃食时的巨响以及野草生长时持续而清晰的尖叫声”;作家似乎在不断地变换着视角,让读者看到一幅虚实交错的画面,从而丰富了想象力,收到强烈的艺术效果。
问题补充:

  • 匿名
2013-05-23 12:21:38
Garcia Marquez's magic realism must be reality-based, it does not prevent it from extreme exaggeration. Such as the intrusion of external civilization of the writing on the Magong reality, but the magic of: writing the silence of the night, people actually can hear the sound of ants in the moonlight
  • 匿名
2013-05-23 12:23:18
Garcia Marquez know magic realism must be reality-based, but this does not preclude it take extreme exaggeration. The book was written as an external civilization in Sai Kung, the more invasive, is a reality, but the magic of the night: As of the writing was very quiet, so people can hear the "ants
  • 匿名
2013-05-23 12:24:58
Garcia · Mulk Si knew evil spirit imaginary realism must take%2
  • 匿名
2013-05-23 12:26:38
Gabriel garcla Marquez knew magic realism has to be based on reality, but this does not prevent it taking an extreme exaggerated way. As this writing external civilization on Magondeau of intrusion, is reality of, but and magic of has: wrote night of silence, people actually can heard "Ant in Moonli
  • 匿名
2013-05-23 12:28:18
 
 
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