求翻译：审美主体在翻译活动中还要受到艺术鉴赏的时空差的制约。时空差产生艺术鉴赏的不等效，也必然产生审美主体的差异。比如，欧洲人对古希腊艺术理解的深度从总体上说肯定优于亚洲人，反之亦然。是什么意思？

Aesthetic subject in the art of translation activities is also subject to poor appreciation of the constraints of time and space. Difference generate space-time is not equivalent to art appreciation, but also the differences inherent in the aesthetic subject. For example, the Europeans of ancient Gr

Aesthetic main in translation activities in art appreciation was also subjected to the constraints of space differences. art space differences resulting from the appreciation is not equivalent, also is bound to have an aesthetic main differences. For example, the Europeans understand the depth of an

The esthetic main body also must receive the artistic connoisseurship in the translation activity the space and time difference restriction.The space and time difference has the artistic connoisseurship not not equivalent, also has the esthetic main body difference inevitably.For instance, the Europ

Aesthetic subject in translation activities subject to restriction of spatio-temporal difference of art appreciation. Spatio-temporal difference of art appreciation ranging from efficiency, also inevitable differences of aesthetic subject. For example, Europeans of ancient Greece the art understandi

Aesthetic subject in translation activities subject to restriction of spatio-temporal difference of art appreciation. Spatio-temporal difference of art appreciation ranging from efficiency, also inevitable differences of aesthetic subject. For example, Europeans of ancient Greece the art understandi