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关注:1 2013-05-23 12:21

求翻译:十九世纪末叶法国印象派画家莫奈的《卢昂大教堂》连作,就是依据阳光不同时刻在教堂粗砺壁面上的投射效果、精微观察写生的。莫奈为了把握光与色的无穷变幻,他追踪阳光,同时张起数块画布,每当光线偏移,就立即在另一幅相应的画面上作画。是什么意思?

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十九世纪末叶法国印象派画家莫奈的《卢昂大教堂》连作,就是依据阳光不同时刻在教堂粗砺壁面上的投射效果、精微观察写生的。莫奈为了把握光与色的无穷变幻,他追踪阳光,同时张起数块画布,每当光线偏移,就立即在另一幅相应的画面上作画。
问题补充:

  • 匿名
2013-05-23 12:21:38
The late nineteenth century French impressionist painter Claude Monet's "Rouen Cathedral" even as, is based on the sun at different times in the church on the rough wall projection effects, microscopic observation of the painting. Monet in order to grasp the infinite light and color changes, he trac
  • 匿名
2013-05-23 12:23:18
At the end of the nineteenth century French impressionists Monet's Cathedral of the Lu Aung San Suu Kyi as sunlight, is based on different moments in the Church on the rough walls, refined observation painting projection effects. Monet painted in order to grasp the infinite light and color changes,
  • 匿名
2013-05-23 12:24:58
19th century end France impressionist school painter Monet "the Rouen Cathedral" the continuous cropping, is rests on the sunlight different time on the church rough wall surface projection effect, the subtle observation sketch.Monet in order to grasp the light and the color fluctuates infinitely, h
  • 匿名
2013-05-23 12:26:38
19th century century France Impressionist painter Monet's Rouen Cathedral in continuous cropping is based Sun different moments in church on a larger wall projection effects, subtle observation of sketches. Manet to grasping the infinite light and color changing, he traces of sunshine while several
  • 匿名
2013-05-23 12:28:18
The late nineteenth century French impressionist painter Claude Monet's "Rouen Cathedral" even as, is based on the sun at different times in the church on the rough wall projection effects, microscopic observation of the painting. Monet in order to grasp the infinite light and color changes, he trac
 
 
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